“…Instead, researchers viewed them in a more nuanced way, 30 even beginning to question the resistance of the music samizdat to the regime. 31 One of the least studied areas to date is the content of music-oriented samizdat. The only examples of this genre that have been commented on, republished, or analysed are the classic big publications of Рокси (Roksi) and KontrKul'tUr'a and a pair of regional samizdat.…”