This paper considers the value of using interviews to research routine practices. Interviewing could easily be framed as inappropriate for this task, either because such practices are too difficult for respondents to talk about as a result of having sedimented down into unthinking forms of embodied disposition or because this method is out of step with a current enthusiasm for research styles that do not focus unduly on the representational. The discussion starts with how some key proponents of social practice theory have characterised the possibility of talking with people about these matters before turning to my own experience with two interview projects that attempted to do so inside city offices and older person households. I conclude that people can often talk in quite revealing ways about actions they may usually take as a matter of course and offer suggestions about how to encourage them.
Actor network theory has received considerable attention within geography. In this paper I suggest that geographers have looked at these ideas in a particular way and that this can be productively complemented by an excursion into the contemporary private garden. Through exploring the ways in which people and plants live together there, some geographical criticisms of a defined actor network theory no longer seem to necessarily apply to a more diffuse set of actor network ideas. Furthermore, these ideas can also provide a productive means of engaging practically with the material presence of things, insofar as this materiality is important in the constitution of human cultural experience.
There are many factors shaping the relationship between human bodies and their immediate environments and the mechanical control of ambient thermal conditions is playing an increasingly important part. It is with this in mind that this article travels to the tropical island of Singapore where the assumption that the air surrounding people should generally be cooled has quietly become entrenched. Specifically we focus on the young people we find in this country and consider how the presence of air conditioning has become implicated in particular combinations of social practice and sensual expectation amongst this group. The conclusion we draw is that it is only by attending to the contextual interplay of bodies, clothing and immediate climate that we gain the fullest sense of the processes underwriting a much wider retreat into indoor social spaces where these elements could be usefully understood as the material culture of routine human encasement.
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