The results of an audit undertaken one month after implementation of the red trays showed that use of the system had transformed nutritional assessment from a paper exercise to a practical tool that enabled patients at risk to be identified and supported with their meals.
The results of an audit undertaken one month after implementation of the red trays showed that use of the system had transformed nutritional assessment from a paper exercise to a practical tool that enabled patients at risk to be identified and supported with their meals.
Since the late 1990s, Sacha Baron Cohen’s characters have raised controversy, criticism and protest from various groups (for example, from Black activists in 2002 and Hasidic Jews in 2012). The comedy has also been described as satirical or anti-racist. Baron Cohen, as either Ali G, Borat, Bruno, or General Aladeen, has consistently provided comedy that leads to public debate on the relationship between comedy and race, ethnicity and stereotype, and the nature of racism and “othering” in comedy. Despite this tendency, very little research has been conducted on how audiences receive the comedy. We present results from a recent focus group, audience reception study of the comedy of Baron Cohen, which recorded discourse from young people aged 18–29 years (n 49). The article examines the perceptions of Islamophobia or anti-Muslim racism in the comedy, focusing on
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