There have been several attempts to use the neuromagnetic response to the onset of a tonal sound (N100m) to study pitch processing in auditory cortex. Unfortunately, a large proportion of the N100m is simply a response to the onset of sound energy, independent of whether the sound produces a pitch. The current study describes a novel stimulus paradigm designed to circumvent the energy-onset response and thereby isolate the response of those neural elements specifically involved in pitch processing. The temporal resolution of magnetoencephalography enables us to show that the latency and amplitude of this pitch-onset response (POR) vary with the pitch and pitch strength of the tone. The spatial resolution is sufficient to show that its source lies somewhat anterior and inferior to that of the N100m, probably in the medial part of Heschl's gyrus.

An objective melody task was used to determine the lower limit of melodic pitch (LLMP) for harmonic complex tones. The LLMP was defined operationally as the repetition rate below which listeners could no longer recognize that one of the notes in a four-note, chromatic melody had changed by a semitone. In the first experiment, the stimuli were broadband tones with all their components in cosine phase, and the LLMP was found to be around 30 Hz. In the second experiment, the tones were filtered into bands about 1 kHz in width to determine the influence of frequency region on the LLMP. The results showed that whenever there was energy present below 800 Hz, the LLMP was still around 30 Hz. When the energy was limited to higher-frequency regions, however, the LLMP increased progressively, up to 270 Hz when the energy was restricted to the region above 3.2 kHz. In the third experiment, the phase relationship between spectral components was altered to determine whether the shape of the waveform affects the LLMP. When the envelope peak factor was reduced using the Schroeder phase relationship, the LLMP was not affected. When a secondary peak was introduced into the envelope of the stimuli by alternating the phase of successive components between two fixed values, there was a substantial reduction in the LLMP, for stimuli containing low-frequency energy. A computational auditory model that extracts pitch information with autocorrelation can reproduce all of the observed effects, provided the contribution of longer time intervals is progressively reduced by a linear weighting function that limits the mechanism to time intervals of less than about 33 ms.

The localization of low-frequency sounds mainly relies on the processing of microsecond temporal disparities between the ears, since low frequencies produce little or no interaural energy differences. The overall auditory cortical response to low-frequency sounds is largely symmetrical between the two hemispheres, even when the sounds are lateralized. However, the effects of unilateral lesions in the superior temporal cortex suggest that the spatial information mediated by lateralized sounds is distributed asymmetrically across the hemispheres. This paper describes a functional magnetic resonance imaging experiment, which shows that the interaural temporal processing of lateralized sounds produces an enhanced response in the contralateral planum temporale (PT). The response is stronger and extends further into adjacent regions of the inferior parietal lobe (IPL) when the sound is moving than when it is stationary. This suggests that the interaural temporal information mediated by lateralized sounds is projected along a posterior pathway comprising the PT and IPL of the respective contralateral hemisphere. The differential responses to moving sounds further revealed that the left hemisphere responded predominantly to sound movement within the right hemifield, whereas the right hemisphere responded to sound movement in both hemifields. This rightward asymmetry parallels the asymmetry associated with the allocation of visuo-spatial attention and may underlie unilateral auditory neglect phenomena.

Horizontal sound localization relies on the extraction of binaural acoustic cues by integration of the signals from the two ears at the level of the brainstem. The present experiment was aimed at detecting the sites of binaural integration in the human brainstem using functional magnetic resonance imaging and a binaural difference paradigm, in which the responses to binaural sounds were compared with the sum of the responses to the corresponding monaural sounds. The experiment also included a moving sound condition, which was contrasted against a spectrally and energetically matched stationary sound condition to assess which of the structures that are involved in general binaural processing are specifically specialized in motion processing. The binaural difference contrast revealed a substantial binaural response suppression in the inferior colliculus in the midbrain, the medial geniculate body in the thalamus and the primary auditory cortex. The effect appears to reflect an actual reduction of the underlying activity, probably brought about by binaural inhibition or refractoriness at the level of the superior olivary complex. Whereas all structures up to and including the primary auditory cortex were activated as strongly by the stationary as by the moving sounds, non-primary auditory fields in the planum temporale responded selectively to the moving sounds. These results suggest a hierarchical organization of auditory spatial processing in which the general analysis of binaural information begins as early as the brainstem, while the representation of dynamic binaural cues relies on non-primary auditory fields in the planum temporale.

This paper is concerned with the lower limit of pitch for complex, harmonic sounds, like the notes produced by low-pitched musical instruments. The lower limit of pitch is investigated by measuring rate discrimination thresholds for harmonic tones filtered into 1.2-kHz-wide bands with a lower cutoff frequency, F(c), ranging from 0.2 to 6.4 kHz. When F(c) is below 1 kHz and the harmonics are in cosine phase, rate discrimination threshold exhibits a rapid, tenfold decrease as the repetition rate is increased from 16 to 64 Hz, and over this range, the perceptual quality of the stimuli changes from flutter to pitch. When F(c) is increased above 1 kHz, the slope of the transition from high to low thresholds becomes shallower and occurs at progressively higher rates. A quantitative comparison of the cosine-phase thresholds with subjective estimates of the existence region of pitch from the literature shows that the transition in rate discrimination occurs at approximately the same rate as the lower limit of pitch. The rate discrimination experiment was then repeated with alternating-phase harmonic tones whose envelopes repeat at twice the repetition rate of the waveform. In this case, when F(c) is below 1 kHz, the transition in rate discrimination is shifted downward by almost an octave relative to the transition in the cosine-phase thresholds. The results support the hypothesis that in the low-frequency region, the pitch limit is determined by a temporal mechanism, which analyzes time intervals between peaks in the neural activity pattern. It seems that temporal processing of pitch is limited to time intervals less than 33 ms, corresponding to a pitch limit of about 30 Hz.