Este artículo es una reflexión sobre los procesos de regularización agraria promulgados por el artículo 68 del Acto de las Disposiciones Transitorias en la Constitución Federal de 1988 en Brasil y su despliegue en las rutinas administrativas estatales. Consideramos que se imponen nuevos elementos que debemos pensar sobre las políticas de reparación y de reconocimiento de los destinatarios de esos dispositivos constitucionales. Usamos la expresión de la batalla de los papeles para referirnos a las negociaciones entrabadas durante la realización de los procedimientos estatales notariales. Se procurará mostrar las situaciones en las que la lucha por el reconocimiento social desafía la idea de que la demanda de los esclavos cimarrones sea meramente territorial. Observados en sus diversos enfrentamientos, esos procesos ocultan una vocación moral, dirigida por los cimarrones, que desborda la lógica demanda por el “mundo de los papeles” y nos permite visualizar las tensiones en las formas de dar materialidad, trasladadas desde la oralidad hacia la escritura, conducidas por nociones de ciencia y permeadas por lógicas notariales
O colecionamento e a conservação de "bens culturais" vêm ganhando em complexidade pela inclusão de temas oriundos de minorias étnicas e econômicas. Apesar do consenso relativo ao conceito de patrimônio cultural proposto pela Unesco, a definição do que deve ser preservado e celebrado como "bem cultural" pode ser objeto de lutas políticas, jurídicas, econômicas e sociais. Visando refletir sobre as consequências dessas lutas, este artigo aborda o processo de inventário de referências culturais em torno do Massacre de Porongos, evento da Revolução Farroupilha (1835-1845) que vem servindo de apoio à configuração de uma identidade negra e gaúcha no Rio Grande do Sul. Segundo os autores, apesar de se apresentar no registro de "patrimônio imaterial", o processo de inventário possibilitou a fabricação de um "corpo" (de textos e imagens) e a delimitação de "lugares" (de memória) a partir dos quais os referentes culturais ditos "imateriais" vêm se inscrever. The collection and conservation of "cultural objects" has been gaining in complexity with the inclusion of non-material associations regarding ethnic and economic minorities. Despite the consensus on the concept of cultural heritage proposed by Unesco, the definition of what should be preserved and celebrated as "cultural object" may be subject of political, legal, economic and social struggles. In order to reflect upon the consequences of these struggles, this article discusses the process of inventory of cultural references related to the Porongos Massacre, an event of the Farroupilha's Revolution (1835-1845). These cultural references are serving in the configuration of black people's and gauchos identities. According to the authors, althought relating to the "intangible heritage", the process of inventory has enabled the fabrication of a "body" (text and images) and the definition of "places" (from memory) from which the cultural references so-called "non-material" come subscribe
This essay explores a controversy around the social imaginary, collective memory and ethnic identity in Rio Grande do Sul, as played out by media representations of the Battle of Porongos. The evocation of this historical episode of the state brings forth blacks' participation in emblematic events in regional history, such as the Farroupiplha Revolution. The media acts as an inextricable element of the production of social memory of this event. Our main argument here revolves around the issue of symbolic appropriations by different agents in a polemic around this historical event. In particular, we turn to the TV series A Casa das Sete Mulheres (TV Globo 2003) and the film "Netto perde sua alma" (2003), which played a significant part in the formulation of ethnic identity and recasting the historical event. We seek to point to media's potential to catalyze identity for subjects and groups which aim to revise history through the appeal to memory and the social imaginary.
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