Summary
The genetic data on two new families with angiokeratoma corporis diffusum are recorded. The first pedigree extends over five generations. Six males are known to be affected in the three most recent generations, and possibly three more in the two previous ones. The mode of inheritance is consistent with a sex‐linked gene. This is confirmed by the occurrence of colour blindness and informative Xga findings in one section of the family, suggesting that the angiokeratoma locus may lie between those for Xg and deutan.
Prof. C. E. Dent kindly drew our attention to the original probands in family A and Prof. M. 1,. Rosenheim to the one in family B. We should like to thank Dr Ruth Sanger for carrying out the Xga studies and for her comments on the results, and Mr D. P. Greaves for the ophthal‐mological assessments. Dr P. C. Farrant invited us to see case IV. 38 in family A and Prof. A. G. Watkins informed us about V. 16. We are also grateful to a number of other doctors and hospitals who have supplied us with additional information.
En collaboration: lire et ecrire entre les !ignes Dans ce texte ecrit en collaboration portant justement surleurpratique de l'ecriture en collaboration, Betsy Warland et Daphne Marlatt analysent la nature du prodde d'ecriture qu'elles partagent. A l'aide d'images d'ordre militaire, fluvial, labial et lunaire et du monde de la danse et des jeux des cartes, tout en creant des jeux de mats et en incorporant l'autobiographie ala theorie, elles identifient les gageures et la seduction, les rapports de force et la jalousie, les regles de base et le cote insaisissable de la langue qu'elles rencontrent au cours de leur dialogue. Collaboration is a specious term for the writing you and i do together ... here, even here, hovering between third person and second person pronoun, to choose second with its intimacy seems to me indicative of how i write with and to you. you my co-writer and co-reader, the one up close i address as you and you others i cannot foresee but imagine 'you' reading in for. and then there's the you in me, the you's you address in me, writing too. not the same so much as reciprocal, moving back and forth between our sameness and differences. in our doubleness, no, our plurality as we read (for) and write (to) you, all the you's in each other reading and writing too-a polylogue, such bends and twists-you see how this writing rivers out to various mouths immediately? which is why i find it difficult to use the word collaboration with its military censure, its damning in the patriot's eyes (the Father appears here with his defining gaze, his language of the law). collaboration
is a Vancouver writer who has published two books of poetry. She is presently finishing a long poem Serpent (W)rite. She is also an editor (In the Feminine, Horizons, The Dene Drum Dance) and was the initiator and coordinator of Women and Words/Les Femmes et les mats (Vancouver, 1983).
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