Cit a tio n Go h, An ni e (2 0 1 7) S o u n di n g Si t u a t e d Kno wl e d g e s-E c h o in Arc h a e o a c o u s tic s. P a r all ax, 2 3 (3). p p. 2 8 3-3 0 4. IS S N
Since the mid-2010s, there has been a surge of interest in the relations between sound, gender and technology. Debates taking place in contemporary arts, music, education and audio technology have pointed to the continued lack of women and non-binary people represented in these fields. Particularly in the technocentric fields relating to electronic-based musics and sound arts, a masculinist and heteronormative bias has compounded an often under-acknowledged hostility to feminist agendas of change or reform. Various initiatives, in the form of networks, conferences, educational programmes and online campaigns, have sought to redress this. 1
Conversation III Joanne Armitage feedback you're getting from the audience and adding your own mood based on how you're feeling that day. Sometimes that muttering becomes a little love letter to somebody, sometimes I'm lecturing angrily at somebody… it changes from performance to performance. AT: For me that's the kind of total immersive concert situation, whether we're using video or not. It's the feedback or energy or intensity. Pamela Z is a composer, performer, and media artist who works primarily with voice, live electronic processing, sampled sound, and video. She is the recipient of many honors and awards, including a Guggenheim Fellowship and an Ars Electronica honorable mention. She will be a keynote presenter for NIME (New Interfaces of Musical Expression) in 2018. www.pamelaz.com Atau Tanaka creates sensor-based musical instruments and is known for his work with biosignal interfaces. His work has been supported by the Fondation Daniel Langlois and the European Research Council, and has received awards from Ars Electronica. Formerly Artistic Co-Director of STEIM in Amsterdam, he is currently Professor of Media Computing at Goldsmiths,
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